Friday, August 17, 2018

***Trashed Gear*** JSeXy, Pedals, and THE CHANCE to get a fuzz pedal for $10

Alright guys, here are some more pics of my gear.

This is a backup for my backup rig's backup. haha. I would use this if I was actively gigging, which has been a while.

It sits beautifully in the shop in its cozy with a pair of sexy silver guitars (pickups are not stock) which will be the next topic.

If you are the first to guess what the 'sexy silver guitars' are correctly, i will send you one of my new FUZZ prototype pedals for half off. $10 to your door (which pretty much covers shipping and boxing on my end). Again $10 total to you door. Email it to me and i will get one out to you ASAP. It is a prototype, it like most of the others has no switch and is encased in my signature blue boxes. Those two things knock off $12 a pop but its lots of fun and pretty damn cheap. The circuit is very simple, but i have been toying with different values a little bit to see what goes over best.


Soooo... Here is a Peavey JSX. I paid $350 mint for it, including the footswitch. It is a three channel 120 watt all tube head. It is going into my Randall cabinet which is unique because it has a pair of Celestion G12-T75's AND a 15" Eminence Legend. The speaker combination sounds great to me; The T75's get along with the Eminence Legend better than Celestion Vintage 30's do which is what I had in the cabinet first. The bass is certainly controllable and not too 'boomy' or anything like that. For preamp tubes, I am running all JJECC83's (12AX7's) with the exception of the PI which is a JJECC81(12AT7).

PRO TIP: the PI (phase inverter) is not actually a preamp tube, it is technically is in the poweramp, I highly recommend trying a 12AT7 or 5751 in that spot as you will typically notice a positive change.

Power tubes are all JJE34L's. NOTE the spelling, E34L, NOT EL34. E34L's are the perfect rounder and thicker sounding bottom end with the bite of an EL34 in the upper mids still remaining, that we all know and love.

Great cleans for an amp marketed for heavier music, not too bright, not too chimey, Peavey nailed it  on this one. The Crunch channel is freaking awesome, Gain for days; more than you could conceivably need. Tight with the boost. The Ultra channel is just flat out liquid gain. This amp as a ton of gain, keep it pretty low if boosting with an overdrive. There is so much gain though that you could easily wreck the tone with too much gain. The EQ is a little different on the crunch and ultra channels. Past noon the EQ turns into an active EQ. This means that the amp adds more in, not takes less out. There is a built in noise gate, which knocks back the hiss a little bit, but isn't very powerful.

Saturday, August 4, 2018

Multipiece Bodies vs Multipiece Necks... Voodoo? or Haiku

Good Morning, it's Trashed!

Don't worry, no black magic or poetry here. Trashed is no poet.

When you spend a lot of money on a Gibson, a bookmatched maple top and a two piece of body is what you dream of. (Oh. Wait, nevermind Gibson kind of put themselves in the shitter, so lets say a LP-a-like). It has 'da tonez', right?

People tend to think that the lesser the number of pieces that a guitar is made of, the better. Fact or fiction, I indeed do not know... BUT I do know that I wouldn't buy a Gibson with a five piece body.

NOW, most companies are using multi-piece necks. Maple/Walnut/Maple/Walnut/Maple, or whatever-the-hell they feel like. Does a five piece neck have the same effect as a five piece body wood? HONESTLY, I do NOT know. There are indeed obvious benefits as the necks are more stable and less likely to warp, and that it looks pretty, and, yeah it looks pretty. NOW (yet again), if the bridge is attached to the five piece and is a neck through, does that change the game? No idea. NOT to rag on Gibson, BUT why have they yet to use a scarf joint (face palm). Does one more joint make the guitar so different that half the time you drop one the neck breaks? They have done quite a bit of stoopid shit (mini-tune being the most obvious) to make me never buy a newer one, but they can't fix the weakest point of the guitar being the headstock joint... Dumbasses. They have no issue chamber and weight relating, but can't change the neck joint? Bottom line is that "HOW MUCH DOES A WOOD JOINT MATTER"?

I don't really know, let me know if you do.

/Trashed out.

Friday, July 20, 2018

This is the new trend. NEW ACQUISITIONS ***Trashed's Gear***


Here is the full rig at the moment. This is used for mainly recording and in the garage lol. There is no way in hell i would carry two 4x12"s to a gig. Orange Rockerverb 50 mk1 for dirt and a Rivera Knucklehead for cleans.

The Orange is being pushed by either a MI Audio Blues Pro or Ibanez Bottom Booster, with the Clyde in front of that. out of the loop is a pair of Malekko delays, one EKKO loFi and the other is the standard EKKO 616.

The Rivera is through a Pigtronix philosopher's king out front, and in the loop a CMATMODS Phaser, a CMATMODS Chorus, and a CMATMODS delay.

New guitar number one: It is a Hofner Verythin. 335 based semi-hollow with a solid center block. The pickups are fantastic, solid German made hardware, so no complaints there, fit and finish flawless, perfect binding details etc. The grain on the wood is freaking sweet, front and back,this is so comfortable to play and I love it.

Rediscovered Guitar #1 I havwe had it for a few years, just didn't use it. This is a  Sublime Chieftain Semi-Hollow, laminated center block. The brand is associated with Crush Drums. A friend of a friend has some part of vested interest. The best thing i have to say is the plays great. The pickups are the downside IMO. Acoustically louder than most semi's. I must say i really like the headstock shape. Sweet guitar.

Saturday, July 14, 2018

Gentlemen and Gentlewomen (?),

OK! A couple of  things that you all deserve to know.

Sorry I have not been posting as regularly as I have been quite busy.

1. Earlier this month my first baby arrived after my wife having a stressful pregnancy. My little girl is sweet and amazes me more and more every day.

2. As far as the blog goes, there are some minor changes. For one, is that I am running out of topics slowly. I will revisit some old topics. There is a lot of material in this from when I started that haven't gotten a lot of views, I would think you all would like it, check it out.

3.I am off of the Squier thing. They are in storage and may be for sale, but i am indefinitely keeping the black HH strat that i put DiMarzios in, it plays fantastically.

Moving Forward.

Starting in the next few weeks, I will be selling fuzz pedals. They are single transistor single knob pedals that are a lot of fun to play with. I will put some videos up soon of them. $20 a pop shipped in the USA. The more I sell the more I will be able to make. THAT is my form of support for the blog and further pedal building and parts AND it keeps the spousal unit (wifey) happy, despite having the laptop open at 3am listening to me type up blogs. There are about ten available. If you want one, reply in this thread to comments, AND EMAIL Pay Pal is the best way to go but don't send it to this email, contact me and I will send the request to you from my main account.

Moving forward again, there will be more gear pics from my collection and reviews, and updates as I pick up more.


TLDR; I will have badass fuzzs i have been building available soon for $20 shipped in the USA,

Saturday, June 9, 2018

RANT: Jackson and Friends, and the beloved Compound Radii Fretboards


I must say that I love Jackson, but they piss me off a bit too. They make great guitars and I have OWNED three and loved them. I sold the Jackson's for LTD's then sold them for Ibanez Prestige's (all of which I will indefinitely keep and I have five of them bitches).

"Trashed, you ass, I love Jackson, what is wrong?!?!"

"Compound radius fretboard's." I say, waiting to be bitched out...

The logic is fantastic, but not quite so ergonomic in practice. For those of you who are new or don't know much about guitars, the fretboard is curved convexly and compensated for by the saddles being different heights. THAT is why your saddles are different heights and not flat. The radius is the measurement of how curved the fretboard is. 

Fretboard radii can be from 7.25" to 20", both of which I don't care for. My Fender '52' Reissue Tele is 7.25 (original spec) is NOT the funnest guitar to do crazy bends and leads on. You fret out and it stops the note if you bend too far. 20" is way too flat. Cords suck and it's awkward.

What does Jackson do? They have a compound radius. IF I AM correct at the moment it is 12"-20" from nut to the end of the fretboard. Here are some things that you all may not think of. If you are on the first fret its curvy, but how often do you play on the first fret as opposed to other frets? The 24th fret is like flat OMG. I will hit the 24th fret regularly but it doesn't get as much action as say the 12th fret. Two extremes. So between two points is the middle, so it is kind of an average?  Yes. I would dare to say between the 7th to 15th fret which could be a hot spot for playing is not a whole lot of different and that is what have I noticed.

Where is the folly? Strings are only a straight line with tension applied. That is physics. So ACTION  and string HEIGHT can NEVER be as low as a 12" radius or a 14" radius. Why? Strings are closer to the frets in different spots. It can't EVER be that low. 

Is it a big deal? 

Not as big of a deal as I am making out of it. Jackson makes some nice guitars (most people have no qualms with that, nor I). I have owned a DKMG, a DKMGT, and a DK2 [all Made in Japan (mij)]. I dig them, and loved them, and had no major adverse reactions to the compound radius fretboard. There are A LOT of brands doing this. Suhr does this more gracefully on their fine axes. When I played a Suhr Modern, it was royally glorious in every way (Trashed wants). Fender has been doing it too.

Is it wrong? NO.  

/Trashed is out.

Monday, May 28, 2018

A Pessimistic Revelation

Dear Brothers,

Sometimes in life, things swell and fade.

Most of you have heard that I have been modding cheap Squiers quite regularly. $30 here $50 there etc. It is practically pocket change.

I didn't put a whole lot of money into them as everything was just sitting around the shop of a dollar here or there, and didn't pay a whole lot for them in the first place. I had a lot of fun with them. I learned a lot on the way. All could turn into an easy profit- and may well do so.

"Damn Trashed it sounds like you are depressed, 'ya alright?"

"Yeah Yeah. Nothing to worry about guys, already took my happy pills..."

The last few months I was just playing the Squiers, I put up a bunch of the other guitars because i was satisfied with the Squiers for the time being, and didn't need them out..They sounded good, felt great- or so I thought, so I thought. I have had a lot of fun with them, but there was ONE fatal downfall...

Today, I pulled out some of the Gibsons and high dollar USA Fenders. Slick like butter, ssweet like sugar, and singing like the birds. The Squiers don't make the cut amongst this lineup. They really shouldn't either, factoring in price, and components, etc. but I am disappointed. I have the HH strat down and the blue one. the others are heading to storage for a while.

I don't know if I am a pessimistic realist or realiestic pessimist, or if i am pessimistic about my pessimism but life is life/.