Thar she be. The freaking beast. Splawn Promod KT-88. The same as a Quickrod, just with KT-88 as opposed to EL34's. It is on top of my general go to metal cab (despite owning mesa, orange and a half dozen others). It is a Randall cab, Celestion T75's on top and a 15" Eminence Legend at the bottom. Massive bass, mids and balanced treble. For the record, my Splawns (this and a Nitro KT88) do not get along with V30's.
Scott Splawn has it going on. He is a brilliant SOB, has all of the features you need nothing more. You have a foot-switchable second master, a foot-switchable extra gain stage (OD1/OD2) and of course a foot-switchable channel switcher. Perfection. There are a couple of qualms about this amp though. It sucks at quiet. PERIOD. loud or louder. I have 23 tube amps at the moment, and this is just loud. I swear this is the loudest 100 watts I have EVER heard, and it cuts like a damn knife. No cutting through the mix issues here.
JJ 12AX7's in V1-V4, JJ KT88's in the power section.
The effects are stupid simple. The fuzz is my newest prototype so that is hush hush for naooo. Then a Korg Pithcblack, Fulltone Fulldrive 2 Mosfet, a Malekko Unity Fuzz, all out front, a Visual Sound H20 Chorus and delay, BBD loaded. The delay is pretty much always on. The chorus is occasionally used on cleans.
My main tone is with the OD2 selected and I use the FD-2 mostly for leads. Cannot comment on the prototype, the Malekko Unity is for the clean channel. Chorus if engaged, is only on the clean channel. Delay is always on. I have master volume 1 on as quiet as I can and the second master for the volume I play at during the day, which is definitely louder than I can play in the middle of the night.
The gain is beastly. The tone is beastly. Splawn has no disappointments.
damn that's a nice rig
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